| Dameon
Priestly - Artist
Collections
of Work

Sulphur
Skies, Oily Coins
12 works - coming soon
Sulphur
Skies, Oily Coins - coming soon
In the tenement buildings and back streets of the 1850s –
whether it be London or New York; life for some, was then, as
it is now. Polluted stagnant air seeps into every street and room
and smile and pore. Greasy hands are shaken with corpse clammy
insincerity and one-sided deals are agreed.
To read more...
Lady Luck
gallery 10 paintings
Lady
Luck
Is a story of abductions - Although set in USA - the stories told
are obviously of a world wide nature - concentrated mainly in
those areas where vastness lends anonymity for some and cover
for others. The size of the country and the spaces there-in, regardless
of where in the world - unfortunately lend themselves to the possibility
of an unfolding nightmare.
To read more...

Local
News Story
gallery 8 paintings
Local
News Story
A series
of works relating local news stories deemed not suitable for national
news – by those controlling the media and therefore the masses.
To read more...

The Good Book
gallery 12 drawings
The
Good Book
A series of drawings that once again look at the
uncomfortable alliance of sex and religion - where both are seen
as disposable commodities.
To read more...

Malice
in Wonderland
gallery 7 paintings
Malice
in Wonderland
The earthly gateway to the promised land is not always
what it appears to be; set in the 'Bible-belt' Mid West of America
in the 1970s, the stories behind the pictures are disturbing in
their inference and show the hollowness in their scriptures.
To read more...

Missing: series
1
gallery 6 paintings
Missing:
series 1
The concept of going missing in America is terrifyingly
easy.
Typically in one mid-western state an average of 1,900 people disappear
per year.
This haunting, evocative and yet compelling series of paintings
depicts in a series of narratives, in a variety of disquieting perspectives
.
To read more...

Missing: series
2
gallery 10 paintings
Missing:
series 2
Dameon’s work engages with the 'American Dream' and its unquestioning
belief and hope; focusing on wanderlust and escape that ultimately
ends in tragedy. ‘Since this girl represents not a person,
but an image, or something desirable, the last thing we would expect
him to want, would be to personalise this person.’ S. Michaud
(The Only Living Witness, 1983).
To read more...
Back Catalogue
gallery 19 paintings
Back
catalogue
Works pre-2004
This
site is regularly updated.
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