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Dameon Priestly - Artist

Collections of Work

 


Sulphur Skies, Oily Coins
12 works - coming soon

Sulphur Skies, Oily Coins - coming soon
In the tenement buildings and back streets of the 1850s – whether it be London or New York; life for some, was then, as it is now. Polluted stagnant air seeps into every street and room and smile and pore. Greasy hands are shaken with corpse clammy insincerity and one-sided deals are agreed.
To read more...

 


Lady Luck
gallery 10 paintings

Lady Luck
Is a story of abductions - Although set in USA - the stories told are obviously of a world wide nature - concentrated mainly in those areas where vastness lends anonymity for some and cover for others. The size of the country and the spaces there-in, regardless of where in the world - unfortunately lend themselves to the possibility of an unfolding nightmare.
To read more...

 


Local News Story
gallery 8 paintings

Local News Story
A series of works relating local news stories deemed not suitable for national news – by those controlling the media and therefore the masses.
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The Good Book
gallery 12 drawings

The Good Book
A series of drawings that once again look at the uncomfortable alliance of sex and religion - where both are seen as disposable commodities.
To read more...

 


Malice in Wonderland
gallery 7 paintings

Malice in Wonderland
The earthly gateway to the promised land is not always what it appears to be; set in the 'Bible-belt' Mid West of America in the 1970s, the stories behind the pictures are disturbing in their inference and show the hollowness in their scriptures.
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Missing: series 1
gallery 6 paintings

Missing: series 1
The concept of going missing in America is terrifyingly easy.
Typically in one mid-western state an average of 1,900 people disappear per year.
This haunting, evocative and yet compelling series of paintings depicts in a series of narratives, in a variety of disquieting perspectives .
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Missing: series 2
gallery 10 paintings

Missing: series 2
Dameon’s work engages with the 'American Dream' and its unquestioning belief and hope; focusing on wanderlust and escape that ultimately ends in tragedy. ‘Since this girl represents not a person, but an image, or something desirable, the last thing we would expect him to want, would be to personalise this person.’ S. Michaud
(The Only Living Witness, 1983).
To read more...

 


Back Catalogue
gallery 19 paintings

Back catalogue
Works pre-2004

 

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